Art Giveaway: Floored

Thanks to all who participated in our August giveaway, and congrats to Gail S. of Gardnerville, NV.

This October, we’re changing it up with this contemporary canvas piece by artist Jared Kelley. This canvas art is perfect for animal lovers and sure to make your heart melt!

Floored, Jared Kelley
retails for: $129.99
image size: 18 x 18 in.
finish style: gallery wrap

Click here to enter our October giveaway! Free art is good for you.

Want Floored in another size? Click here to view additional size and finishing options.

Guest Post: What Makes a Great Black and White Photograph?

There’s no denying that artist Keith Dotson is passionate about black and white photography. In his work, he strives to capture the essence and spirit of his subject, the basis of which is the landscape.

Says Keith, “I’m drawn to black and white because I enjoy the drama and emotion, the texture and power that only black and white images can portray.”

In this exclusive guest post for Global Gallery, Keith shares his perspective on the most important elements of a great black and white photograph, reminding us that art is about more than equipment and technical aptitude. It’s about heart.

Click here to check out the full Keith Dotson collection.


What Makes a Great Black and White Photograph?
By Keith Dotson

Art is a very subjective topic of course, but since I specialize in black and white photographs, I thought I’d describe the qualities I believe make a great black and white image. For me, it comes down to four elements: Emotion, Unique Vision, Story, and The Print.

Notice that I didn’t mention anything about focus, composition, or the type of camera used to make the image. Those things matter, but they’re basics that fall secondary to the artist’s unique vision.

I believe B&W photography is particularly well-suited to portraying emotion in the subject, as well as provoking emotion in a viewer. One of the reasons I’m so passionate about the art of black and white photography is its combination of both raw power and subtlety, its grain and texture… the way it cuts away the superficial stuff and gets us to the essence of a subject. I believe that while a color photograph may show us reality, a black and white photograph shows us truth. Author Ted Grant said it well: “When you photograph people in colour, you photograph their clothes. When you photograph people in black and white, you photograph their souls.” Grant’s statement applies to landscape photos as well, and yes, I believe landscapes often have “soul.” Regardless of the subject — whether it’s a stranger on a city sidewalk in the 1950s Chicago street photographs of the late Vivian Maier, or a foggy mountaintop in China in the singular landscapes of Michael Kenna — a great B&W photograph conveys emotion.

Unique Vision
The unique vision of the artist is what gives all art its power. In photography, this involves many choices, not only of subject matter and themes, but also of lighting, equipment, and techniques. In the hands of an artist, a beautiful photograph may be too dark or too light, it may be blurry, or it may be oddly composed. The photograph may be created in a wooden box camera on a glass plate negative using antique lenses, or it may be created in a pinhole box with no lens at all. It may be a digital file processed on a computer, or a salt print processed the same way it was done 150 years ago. The process serves the vision of the artist and over time becomes a signature style. An Ansel Adams landscape is unmistakable, just as a fashion photograph by Richard Avedon is uniquely his own.

I’ve found that minimalist compositions often result in my most effective and evocative B&W images: a single blackbird in flight, contrasted against a snow-covered field; a barren winter tree separated from the background by a dense, mysterious fog; a few droplets of dew slowly running down a thread of spider silk on a damp morning. One of my most popular photographs features nothing more than abstracted ripple patterns in a languid stream.

A good photograph usually tells (at least a piece of) a story, and is often part of a continuum of the artist’s work that expands on a theme. Of course, this is unique to each photographer and connects directly back to their vision. For some it might be family issues, for others it might be exploration of a certain culture or subculture, and for others it might be nature. My work tends to include two running themes:

1) My belief that all art springs from nature and that the natural world is an endless source of inspiration and beauty; and

2) The idea that most landscapes are more than just landscapes, having been shaped by their histories and the people who lived, worked, or died there. What happened there? Who walked that ground long before we did? I can almost literally feel the voices of those people from the past trying to speak through my images. B&W photography is perfectly suited for communicating this kind of story.

A High-Quality Print
For B&W photography in particular, the final goal should still be a high-quality print. Photography is ubiquitous these days, and most people experience photos on the Internet. But a B&W photograph must be seen in print. Prints come in a wide variety of formats, from pigment prints on watercolor paper or canvas, to traditional silver gelatin photographic prints, and even old-fashioned tintypes. But regardless of the format, a beautifully framed B&W photograph should take your breath away.

It should serve as a conversation piece or as an enhancement to your interior design. I receive amazing feedback from collectors, who often say that my work has touched them in a profound or meaningful way. I love hearing that because I want to create photographs that move people. But I also want to create images that people are proud to frame and display in their homes or offices. That’s how I know I’ve created a successful black and white photograph.

Those are my thoughts. What do you look for in a great photograph?


Decorating 101: Art of Compromise

Congrats! You’re college-bound and will soon be sharing a 10’ x 20’ space with another person for an entire school year. And then it happens: you meet your roommate, and the two of you could not be more unalike. You’re a finance major, and he’s studying theater. He’s a strict vegan, and your vegetable of choice is the French fry.

Or maybe you and your significant other are moving into your first place together. You are a night owl, and he’s an early bird. The differences don’t end there, because as it turns out, your decorating preferences are starkly dissimilar, too.

We’ve all been there, and guess what – there’s hope! Class is in session at Global Gallery, and today’s lesson is Decorating 101: Art of Compromise. Here are Global Gallery’s top three tips for decorating your college dorm, or any home, when opposing tastes are at play.

1) Have an Open Mind

Sure, your initial reaction may be to dump your significant other’s decade-old brown recliner. You probably want to throw a sheet over your roommate’s leg lamp. And just for the record, no one is crazy about your cat trinket collection. You’re merging two households, and it’s undeniably a daunting task. Just remember to take a deep breath and heed our advice: have an open mind.

2) Divide and Conquer

Your roommate exclusively buys abstract paintings, and you are, well, not a fan of abstract art. You can still peacefully coexist. Perhaps you can decorate the kitchen area while your roommate takes on the living room. Divide and conquer: choose a space in the room and make it your own.

3) Combine the Best of Both Worlds

If you want to make your home really interesting, decorate together. Bring together your love of vintage with your husband’s love of all things contemporary. Place an abstract sculpture in the traditional study. There’s no reason that van Gogh can’t adorn the wall over your roommate’s bright orange sofa. You both win when you combine the best of both worlds.